Projects

Project Editor: Amber Harris Leichner, English 418/818, Fall 2005


Editorial Note: The four paragraphs encoded here are taken from the begining of an article from the 23 February 1936 Lincoln Sunday Journal (page 1) that briefly describes the works and biographies of several artists with current or past Nebraska connections. The omitted content does not directly or indirectly reference Aaron Douglas or his works.

Pieces With Local Background To Spice
Nebraska Art Ass'n Exhibition In March

With the coming of the annual
treat of the exhibition of the Ne-
braska Art association for March,
art lvoers find interest this year
in several paintings by those with
a Nebraska background in addi-
tion to the several oils of the
finest artists. While there always
is the exception to make the old
platitude accurate, the majority
of these paintings from the gal-
leries represent the talent of na-
tive American artists.

The day is not so long gone
when any form of American cul-
ture was mocked at, but common
sense and deeper apreciation
have taught us that the highly
satisfctory works of polyglot
America meet the tests of con-
noisseurs, domestic and imported.

For a number of years, the art
association has honored Nebraska
artists by inviting a limited num-
ber who have achieved recogni-
vited to show in the forty-sixth
exhibiton reside here now, but
all have been Nebraskans at some
time or another.

Among These Are—

Aaron Douglas, as one example, a noted negro artist now of New
York City, studied iin the school
of fine arts at the university
only a few years ago. Another former
Nebraskan to be repesented is
John F. Stenvall, of Chicago, a
graduate of this institution in
1930. His Slush at Dusk," a
water color, won honorable men-
tion in the annual American show
at the Art institue this year. Mr.
Stenvall was a scholarship stu-
dent at the Chicago Institute.


Source:


ACC 1238
Periodical: Box: B13
Folder: F2
Archives and Special Collections, University of Nebraska-Lincoln Libraries