Projects
Project Editor: Amber Harris Leichner, English 418/818, Fall 2005 Editorial Note:
The four paragraphs encoded here are taken from the begining of an article from the 23 February 1936 Lincoln Sunday Journal (page 1) that briefly describes the works and biographies of several artists with current or past Nebraska connections. The omitted content does not directly or indirectly reference Aaron Douglas or his works.
Pieces With Local Background To Spice Nebraska Art Ass'n Exhibition In March
With the coming of the annual treat of the exhibition of the Ne- braska Art association for March, art lvoers find interest this year in several paintings by those with a Nebraska background in addi- tion to the several oils of the finest artists. While there always is the exception to make the old platitude accurate, the majority of these paintings from the gal- leries represent the talent of na- tive American artists.
The day is not so long gone when any form of American cul- ture was mocked at, but common sense and deeper apreciation have taught us that the highly satisfctory works of polyglot America meet the tests of con- noisseurs, domestic and imported.
For a number of years, the art association has honored Nebraska artists by inviting a limited num- ber who have achieved recogni- vited to show in the forty-sixth exhibiton reside here now, but all have been Nebraskans at some time or another.
Among These Are—
Aaron Douglas, as one example, a noted negro artist now of New York City, studied iin the school of fine arts at the university only a few years ago. Another former Nebraskan to be repesented is John F. Stenvall, of Chicago, a graduate of this institution in 1930. His Slush at Dusk," a water color, won honorable men- tion in the annual American show at the Art institue this year. Mr. Stenvall was a scholarship stu- dent at the Chicago Institute.
Source: ACC 1238
Periodical: Box: B13 Folder: F2 Archives and Special Collections, University of Nebraska-Lincoln Libraries
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